A midsummer nights dream literary analysis essay

Humans surpass their own world and time when they voyage, with the fairies, to their primeval humanity which has survived since before the emergence of civilization. In that humankind, into who Bottom is so offensively pushed, creatures are, by their character, savage as well as cruel.

A midsummer nights dream literary analysis essay

Like Bottom, Shakespeare aspires to rise socially; he has ambitions, and interacts with the queen, however marginally.

Through Bottom, Shakespeare mocks these pretensions within himself. Then again, Shakespeare also resembles Oberon, controlling the magic we see on the stage; unseen, he and Oberon pull the strings that make the characters act as they do and say what they say.

And finally, Shakespeare is like Puck, standing back from the other characters, able to see their weaknesses and laugh at them, and enjoying some mischief at their expense. Through these three characters and some A midsummer nights dream literary analysis essay mysticism, Shakespeare mocks himself and his plays as much as he does the young lovers and the Rude Mechanicals onstage.

The playwright who is capable of writing Hamlet and King Lear is still able to laugh at himself just as he does at his characters. Through Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions, and that one should remember to laugh.

In Bottom, Shakespeare pokes fun at the pretensions in himself and by extension in all plays and actors. In doing so he makes light of the affectations in us all, for as he tells us elsewhere, we are all actors on a stage.

A midsummer nights dream literary analysis essay

To begin with, the name "Bottom" has unfavorable connotations, like "bottom of the heap," "bottom of the totem pole," and of course, one's behind, or one's ass: Bottom is a metaphorical ass who becomes a literal ass.

Bottom's name tells us not to take him too seriously. Moreover, neither William Shakespeare nor Nick Bottom were born to be aristocrats, both having ambitions beyond their given station in life. It is Bottom's fate to be a weaver, yet he wants to be an actor, even a director.

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Shakespeare pokes fun at Bottom's ambition. When the Rude Mechanicals rehearse Pyramus and Thisbe, Bottom regularly interrupts the director, freely giving advice to the other actors: Bottom is overconfident of his own talents; he wants to play not only Pyramus but also Thisbe 1.

With comical lack of humility, Bottom assumes that his lion's roar will please the Duke, and he is sure that as Pyramus he will bring the audience to tears: By encouraging the audience to laugh at Bottom, Shakespeare makes fun of his own ambitions and his goals of pleasing audiences, including royal audiences, of making them laugh and cry as he chooses.

Shakespeare surely recognizes the self-importance of his aims, and though his powers are greater than Bottom's, he still declines to take himself too seriously. Through Bottom, Shakespeare also seems to explore his own anxieties. Perhaps he fears becoming too full of himself, so he ridicules Bottom as a literary lightweight.

Bottom can't tell how ridiculous Quince's synopsis is, pronouncing it "a very good piece of work" 1. He recites abysmal poetry and calls it "lofty" 1. As unlikely as it would seem to most people, Bottom easily believes that the fairy queen falls in love with him, and enjoys that the fairies wait on him hand and foot 3.

Perhaps Shakespeare worries about putting on airs, perhaps he is uneasy that the Queen and her Court are among his audience, that he is successful and others look up to him.

Perhaps, coming from humble beginnings, he is never confident of his social standing. To neutralize his worries, Shakespeare proves that he is not like Bottom because he sees his own pretensions and turns them into jokes.

Through Bottom, Shakespeare makes fun of those who can't see their own shortcomings. He can't see when he's being made fun of, and that makes him seem a fool.

Unknowingly wearing a donkey's head, he makes clueless comments that invite scorn: The problem is, he doesn't know he is an ass. Shakespeare makes fun of Bottom to show that he is not a fool himself, that he is in on the joke. When the audience jeers at Bottom, indirectly they laugh at Shakespeare, but they only laugh when Shakespeare tells them to, thus he is still in control.

Ultimately, Bottom is a trooper. After everyone else has left the stage, after the ass's head is removed and Bottom awakens from a deep sleep, his first words are:Shakespeare, literary analysis - A Midsummer Nights Dream Essay.

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